Four more styles that look like themselves, and depth in any scene

Four more styles that look like themselves. Each has its own scene type, built around what makes the style recognisable: Corporate flat: product UI cards take the lead, with one tidy icon set, a single highlight colour and a cursor that clicks through settings, checklists and network diagrams. No more grey placeholder panes. Isometric: a small isometric factory assembles itself block by block, and a conveyor carries work from station to station while the camera glides around it. Storytime: painted picture-book pages with soft, textured edges, a character that drifts gently into place, held pages and real page turns. Paper cutout: every piece is cut paper, with torn edges, paper texture, soft shadows between layers, visible pin joints and a stop-motion rhythm.

Shaped reveals. Photos and product details can reveal through a torn, circular or rounded shape with a soft feathered edge, instead of a plain rectangle.

Depth in any scene. A scene can be built from depth layers: when the camera pans or pushes in, far layers move less than near ones. This works on its own, without the beat camera bump.

Cut-downs remembered. When a video is decided as a short cut or a cut-down of a longer piece, the brief keeps that. The director and the reviewer plan for it.

Steady numbers. Counters and chart numbers use fixed-width digits, so they don't jiggle sideways while they count.

The reviewer sees the whole whiteboard. Along with the stills, the reviewer now gets a map of the entire board and the camera's path. It can judge whether the video really is one board the camera moves across, instead of guessing from single frames.

More styles fully supported. Torn and feathered edges, paper texture, soft layer shadows, stop-motion jitter, page turns, device frames and isometric blocks are now built in, so the styles that rely on them draw their full look.